Skin becomes screen amid projections, glitches, and sounds
Dance
Gruppo Voluptas / Pablo Ezequiel Rizzo
SEX.EXE
concept, choreography, musical arrangement, video editing, projections by Pablo Ezequiel Rizzo
performed by Alessandra Cozzi, Elena Della Manna, Eleonora Gambini
dramaturg Eliana Rotella
original music Adriano Fedele, Benedetta Gaggioli
production Aiep – Ariella Vidach
other music NIN, Arca
coding art Marco Pierini
glitch art Marco Bosetti
costume design Manuel Bagnato
supported by AnticorpiXL, Teatro Valli di Reggio Emilia,
Teatro Akropolis di Genova, Teatro Pubblico Pugliese, Movimento Danza
(Na), Officine Caos (To)
winner of Premio Prospettiva Danza 2025, Bando Must Be The
by MilanOltre, Festival Danza Estate
Inside ancient frames made of symbols and two-dimensional shapes, movement lets technology cross it and open cracks in images and perception. In the short circuit between control and freedom, the body is no longer defined, and goes back to multiplying, changing, and existing beyond the boundaries of a single identity.
Pablo Ezequiel Rizzo (Argentina, 1991) is a choreographer and performer based in Italy, working across dance, visual arts, and technology. Winner of the 2025 Prospettiva Danza Award and the 2022 Cerati Award, his work has been presented across international venues and festivals. Associate artist of Aiep – Ariella Vidach, he is the director of the Voluptas project, through which he explores the body as an interface between image, code, and perception.
running time 40’
non verbal show
suitable for non-Italian speakers
