{"id":63357,"date":"2026-05-26T23:30:00","date_gmt":"2026-05-26T21:30:00","guid":{"rendered":"https:\/\/www.kilowattfestival.it\/contenuto\/echo-chambers-un-amore-senza-fine-kwt2026-danza\/"},"modified":"2026-06-11T17:38:35","modified_gmt":"2026-06-11T15:38:35","slug":"echo-chambers-un-amore-senza-fine-kwt2026-danza","status":"publish","type":"contenuto","link":"https:\/\/www.kilowattfestival.it\/en\/contenuto\/echo-chambers-un-amore-senza-fine-kwt2026-danza\/","title":{"rendered":"Echo Chambers. Un amore senza fine"},"content":{"rendered":"<p><strong>Applause: a power gesture, a tool of manipulation and consensus<\/strong> <\/p>\n<p>Dance <\/p>\n<p>Vittorio Pagani<br \/><strong>ECHO CHAMBERS<\/strong><br \/><strong>un amore senza fine<\/strong>  <strong><br \/><\/strong><\/p>\n<p>by Vittorio Pagani<br \/>performed by Francesca Santamaria e Rafael Candela<br \/>dramaturgical collaboration Pietro Angelini<br \/>lighting design Stefano Moriondo<br \/>production Codeduomo<br \/>created thanks to the call Giovane Danza Italiana \u2013 promoted by CapoTrave\/Kilowatt, Anghiari Dance Hub, Cantieridanza, supported by Otto per Mille dell\u2019Istituto Buddista Italiano Soka Gakkai<\/p>\n<p>Blending dance, spoken word, projections and sound samples, iconic historical events are transformed into a theatrical device highlighting the tension between success, failure, and fiction, revealing how applause can crown, destroy, or subvert the very meaning of the performance.<\/p>\n<p>Vittorio Pagani, a Milan-based performer and choreographer born in 2000, trained at the Ballet Junior de Gen\u00e8ve and the University of the Arts London, working with international choreographers such as Hofesh Shechter, Roy Assaf, and Marcos Morau. His works, including <em>Around 5:65<\/em> and A Solo in the Spotlights, have been presented at international festivals and platforms such as Aerowaves (2024). <\/p>\n<p>running time 60&#8242;<\/p>\n<p>world premiere<\/p>\n<p>nonverbal show<br \/>suitable for children too<br \/><em>suitable for non-Italian speakers<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Applause: a power gesture, a tool of manipulation and consensus<\/p>\n","protected":false},"author":3,"featured_media":62427,"template":"","meta":{"_acf_changed":false},"capotravecategorie":[60],"capotravetags":[61,145],"capotravetags_libere":[62],"class_list":["post-63357","contenuto","type-contenuto","status-publish","has-post-thumbnail","hentry","capotravecategorie-festival-en","capotravetags-events","capotravetags-festival-events-2026","capotravetags_libere-dance"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kilowattfestival.it\/en\/wp-json\/wp\/v2\/contenuto\/63357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kilowattfestival.it\/en\/wp-json\/wp\/v2\/contenuto"}],"about":[{"href":"https:\/\/www.kilowattfestival.it\/en\/wp-json\/wp\/v2\/types\/contenuto"}],"author":[{"embeddable":true,"href":"https:\/\/www.kilowattfestival.it\/en\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":1,"href":"https:\/\/www.kilowattfestival.it\/en\/wp-json\/wp\/v2\/contenuto\/63357\/revisions"}],"predecessor-version":[{"id":63358,"href":"https:\/\/www.kilowattfestival.it\/en\/wp-json\/wp\/v2\/contenuto\/63357\/revisions\/63358"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kilowattfestival.it\/en\/wp-json\/wp\/v2\/media\/62427"}],"wp:attachment":[{"href":"https:\/\/www.kilowattfestival.it\/en\/wp-json\/wp\/v2\/media?parent=63357"}],"wp:term":[{"taxonomy":"capotravecategorie","embeddable":true,"href":"https:\/\/www.kilowattfestival.it\/en\/wp-json\/wp\/v2\/capotravecategorie?post=63357"},{"taxonomy":"capotravetags","embeddable":true,"href":"https:\/\/www.kilowattfestival.it\/en\/wp-json\/wp\/v2\/capotravetags?post=63357"},{"taxonomy":"capotravetags_libere","embeddable":true,"href":"https:\/\/www.kilowattfestival.it\/en\/wp-json\/wp\/v2\/capotravetags_libere?post=63357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}